The literary histories of Courthope, Gosse and Saintsbury, written in the closing years of the nineteenth century, exemplify two markedly different approaches to the genre that draw on the opposing techniques of schol- arship and criticism. Such differences are also apparent in early twentieth- century studies of Shakespeare, which can be used to illustrate the… Continue reading The analysis of Shakespeare
Tag: William Shakespeare
Literary Oppression
Literary Oppression As a concept frequently found in historical and sociological texts, oppression is typically defined in terms of a dominant group subjugating another minority group. In Race and Ethnic Relations (1985), Martin N. Marger explains that a sociological minority and a mathematical minority are not the same. Mathematically, a group can be the majority… Continue reading Literary Oppression
Literary Love
Literary Love There is perhaps no other theme in world literature as prevalent, provocative, diverse—and perennially compelling—as that of love or its absence. An integral part of the human experience in its various forms, love is also a key if highly complex component of what writers and critics have tried to express for their readers.… Continue reading Literary Love
Literary Isolation
Literary Isolation Isolation is a powerful force. Human beings live, work, and play in groups, and to be separate from the whole of humanity can disorient us, debilitate us, and even make us question our place in the world. Isolation is easily confused with other forms of aloneness such as loneliness and alienation, but the… Continue reading Literary Isolation
Literary Identity
identity The nature of textual creation from a blank page— of all creation, really—is an exercise in identity politics: Each entity fashioned depends on inclusions and exclusions. Thus, literary texts achieve selfhood via the delicate balance of their various constituent parts; just as humans are products of their DNA, so are literary texts the result… Continue reading Literary Identity
Literary Hope
Hope Hope is closely related to desire, faith, and possibility. Stories about hope are central not only to the study of literature but also to psychology, social movements, and religious studies. In literature, hope tends to center on the belief that positive change— either individual or societal change—can or will occur. Hope is an exceptionally… Continue reading Literary Hope
Literary Guilt
Guilt When we hurt someone, we usually feel guilty. If the hurt was committed deliberately, this is understandable. However, many of us can feel guilt even when the hurt is inadvertent. Human beings are also capable of feeling guilt merely for existing when others have died, or for being born wealthy when others live in… Continue reading Literary Guilt
Literary Grief
Grief Grief is arguably life’s greatest source of stress and turmoil. Our relationships with others play important roles in the development of our identities, and when those people are lost, we can feel as if we, too, are lost, unsure of who we are and how we will continue to function in a world that… Continue reading Literary Grief
Literary Futility
Futility The theme of futility or overriding hopelessness in literature has been driven by philosophical concepts regarding life and how we live it. The later decades of the 19th century saw rapid industrialization, which helped support Karl Marx’s theories of alienation and the consideration of all history as a battle between opposing economic forces—an eternal… Continue reading Literary Futility
Literary Fate
Fate Fate, according to modern usage, is an agency or power that orders and predetermines a future course of events. In the ancient world, the often inexplicable and unavoidable in the affairs of human beings were attributed to fate. In Greek mythology, the goddesses known as the Fates, or Moirae, spun out the destinies of… Continue reading Literary Fate