Literary Criticism

The resistance to knowledge

The reluctance of AQA Specification A to embrace the critical and theo- retical possibilities of the new subject criteria came as no real surprise. Since the new specifications were launched, there have been a number of objections to the critical principles they represent: to the idea that the study of literature should involve anything other than a personal encounter with the text. This strand of complaint bears a number of … Read the rest

Literary Criticism

I. A. Richards: Meaning and value

Eliot’s rejection of the ‘lemon-squeezer school of criticism’ also adds an ironic twist to Tillyard’s claim that Eliot was himself a central figure in the development of such a school, promoting critical rigour and the need for the ‘minute exegesis’ of difficult texts. By 1956, Eliot had become con- vinced that criticism should be directed towards enjoyment as well as understanding, and was afraid that analysis would put the ordinary … Read the rest

Literary Criticism

The importance of difficulty

On one level, it is easy to see both Murry’s humanism and Woolf’s visions as a means of self-promotion, resting as they do on a personal engagement with the text rather than the detached, analytical methods of the newly professionalised humanities. This, of course, leaves both Woolf and Murry open to many of the charges levelled at literary criticism when its entry into university syllabuses was first mooted: that it … Read the rest